Download e-book for iPad: Aftertime by Sophie Littlefield

By Sophie Littlefield

ISBN-10: 1460309820

ISBN-13: 9781460309827

Awakening in a bleak panorama, Cass greenback vaguely recollects enduring anything bad. Having no proposal what number days--or weeks--have handed, she slowly realizes the scary fact: her daughter, Ruthie, has vanished. And along with her, the vast majority of civilization. rather than winding throughout the once-lush hills, the roads this day see in basic terms cannibalistic Beaters--people grew to become hungry for human flesh via a central authority scan long gone wrong.

In a damaged, barren California, Cass will suffer a harrowing quest to get Ruthie again. Few humans belief an outsider--much much less one that bears the telltale scars of a Beater attack--but she unearths security with an enigmatic outlaw, Smoke. And she'll want him greater than ever while his ragged band of survivors examine that she and Ruthie became the main feared, and wanted, guns in a courageous new world....

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Example text

Li arrota, passa alla lima, ma niente. Allora afferra un'accetta... insomma egli si muove in mezzo a tanto legno come un tarlo, ruminando e seminando segatura. Si fa largo nell'oscuro tinaio per trovarsi poi davanti al naso, all'improvviso, in fondo a un buco a spirale, bianco e spaventato, proprio un tarlo. Se stesso. Questo tipo di procedimento Tozzi ha adottato nella stesura dei suoi raccontini, in maniera più o meno evidente. Nel quinto episodio, alla fine del quale compare una lumaca, il narratore deambula, quasi strisciando, solo e senza amicizie per le vie di Siena.

E decide quando «staccare» da una scena e in quale andare. In questo caso, però, la voce che fa da connettivo, che si inserisce tra un portatore di lessico e l'altro, si propone come la lingua neutra della terza persona classica, la quale prende toni di cronista super partes. Naturalmente quanto più presenti saranno questi interventi «esterni» tanto più la vicenda si caratterizzerà come «racconto esemplare»: l'ombra di un destino lontano e invisibile incombe sui protagonisti. Nei Malavoglia, scritto in libero indiretto, i protagonisti sono pescatori di Acitrezza.

Questo dettaglio, attenzione, ha la funzione narrativa di una metonimia: è cioè un indizio che darà i suoi frutti più avanti. Dunque Madeleine è sempre vista attraverso gli oc- LA COSTRUZIONE DEL RACCONTO 54 chi dell'ex poliziotto, secondo i modi del libero indiretto. Dopo qualche scena la vaghezza di lei, il non riuscire a conoscerla per quello che realmente è, il doverne osservare solo le movenze e la bellezza avvolgono il personaggio in un clima di grande fascinazione. E il pubblico non si meraviglia affatto quando Scottie comincia a innamorarsi.

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Aftertime by Sophie Littlefield


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