By Dominic Thomas
This stimulating and insightful ebook finds how elevated keep an eye on over immigration has replaced cultural and social creation in theater, literature, or even museum building. Dominic Thomas's research unravels the complicated cultural and political realities of long-standing mobility among Africa and Europe. Thomas questions the try and position strict limits on what it skill to be French or eu and provides a feeling of what needs to take place to result in a renewed experience of integration and international Frenchness.
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Extra resources for Africa and France: Postcolonial Cultures, Migration, and Racism
The building will follow this trend: a remodeling of the entrance area is planned, in which the openness and transparency serve as a physical reflection of a socially relevant design. nl) Elsewhere in Europe, the topography is punctuated by traces and remnants of empire and expansionist ambitions, monuments to fallen soldiers in colonial wars and to transoceanic exploits—Lisbon’s Padrao dos Descobrimentos (The monument to the discoveries)31 and the National Monument Slavernijverleden (National monument to the legacy of slavery) in Oosterpark, Amsterdam.
71 In these instances, the themes touched on a range of political and social questions. MQB’s responsibilities also include educational and scholarly events, and several lectures, conferences, colloquia, and symposia have been held, and in some cases organized to coincide with temporary exhibits. Thus, an international conference, “Littératures noires,” was held January 29– 30, 2010, in collaboration with the Bibliothèque Nationale de France, while the exhibit curated by Sarah Grioux-Salgas on the publishing house and journal Présence Africaine was still on display—“Présence Africaine: un forum, un mouvement, une tribune” [A forum, a movement, a network] (November 10, 2009–January 31, 2010).
Personal feelings and memories, whether accurate or appropriate or not, indeed are always a factor in the contexts in which historical consciousness is made, because they shape how an experience is remembered. (“Memory, Distortion, and History in the Museum,” 319–321) However, this process of constructing postcolonial memory and of foregrounding the components of a shared and constitutive history has, as we shall see, proved highly problematic. ”23 Critics were quick to draw attention to the contradictions inherent to his characterization of history,24 while of course simultaneously showing how his rhetoric—claiming for example that there are no “hierarchies between peoples” (Chirac, “Speech”)—was at odds with his policies on immigration and ethnic minorities.
Africa and France: Postcolonial Cultures, Migration, and Racism by Dominic Thomas