101 Bad to the Bone Blues Guitar Rhythm Patterns by Larry McCabe PDF

By Larry McCabe

ISBN-10: 0786640448

ISBN-13: 9780786640447

With a minimal volume of attempt, any starting guitarist can quick examine rudimentary accompaniments to countless numbers of easy songs. challenge is, the relative ease of buying such uncomplicated talents frequently lulls one into fake trust that rhythm guitar enjoying is a constrained type of musical enjoyment. every one rhythm trend during this publication is predicated on both the C7 chord or the Cm chord. This structure offers a constant element of reference and allows ease in theoretical research and comparability of examples

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Extra resources for 101 Bad to the Bone Blues Guitar Rhythm Patterns

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17; Nawar. 63, 64; Hrsw. II 41b, V 53b, 6la; Sor. III 70, 85; K. Snd. III 10; Sut. CXXI Ib, CXXVII Ib; RL. XI 104; Catur. 5. For another word bahiri with the meaning "bark cloth" or "a piece of garment" see Table B note 31. With regard to the Indian kettle-drums see Sac h s II pp. 57 ff. and Grosset p. 361a. Compare, however, pp. 66-67. Wir. 77. 277a. And with that of the modern term nagara (G r 0 sse t p. 361a). See the picture on that page and compo further Sac h s I pp. 123a and 267a, and Sac h s II pp.

91; w. VII pp. 163 and 164. ). CHORDOPHONES 21 antiquity, usually called pandura (later form: tambura) which subsequently found its way ,to India as tumburu-vi1Ja or tamburi (nowadays usually called tanpura) (fig. 81 But whereas, at the time of playing, the gourds of all those instruments are pressed against the musician's chest, making his whole body an extension of the resonator, the gourd of the instrumeIlll: on the Jago relief is approximately in the position of the uppermost of the two whole gourds of the North Indian Inn, and of the single gourd of the South Indian vi1Jii.

See K u n s t IX vol. I pp. 204 ff. 46 HINDU-JAVANESE MUSICAL INSTRUMENTS straps and slidmg adjustment knots). two skins. 71 In Java these substances should, where they oocur, perhaps be called timbre pastes, because, even should they influence the pitch, they are never applied for that purpose, but to improve the quality of the sound. I found an example of this in the kabupaten (Regent's residence) at Pasuruan (East Java) (fig. 105), and another in the desa Tjitjadas, north of Bandung (West Java).

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101 Bad to the Bone Blues Guitar Rhythm Patterns by Larry McCabe


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