By Peter Gelling
Particularly designed for college kids who desire to play Blues Harmonica, both in a bunch or for enjoyable. The emphasis is on making song instantly. contains notice bending, educate whistle and rhythm sounds, vibrato and improvisation.
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Additional resources for 10 Easy Lessons - Blues Harmonica (10 Easy Lessons Learn to Play)
P. 4 81 Paris, Biblioth`eque nationale de France 160 (henceforth BnF), fonds franc¸ais (henceforth ffr) 22543 Paris, BnF ffr 844 53 Paris, BnF ffr 20050 22 Rome, Biblioteca apostolica vaticana, 1 Reg. lat. 1659 ¨ 4 Vienna, Osterreichische Nationalbibliothek, 2563 & 2583; Madrid, Real Biblioteca del Escorial, S. Lorenzo S. I. 3; Saint Petersburg, Saltykov-Schedrin Public Library, Esp. F. v. XIV. I. Paris, BnF ffr 846 (fol. 2. Extant chansonniers with trouv`ere melodies Siglum Date Library shelfmark Melodies A B F K L M N O P Q R T U V W X Z a c.
86 In Machaut’s student Deschamps’ new ‘musique naturelle’, there was no room for the old-fashioned tunes of the chansonniers compiled a century earlier: his metaphor for Colin Muset’s songs was an unamusing and abandoned lover. n otes 1. ’ 2. ’ This saying has survived only in fragment form: ‘Quot . . ’ See Walter Odington, Summa de speculatione musicae, ed. , Mediæval Academy of America, 1953), 338. 3. 2. 4. The exception is chansonnier U, described further below. Although I adopt the time-honoured term ‘chansonnier’ to describe these books, it is necessary to point out that certain chansonniers contain repertoires other than songs (chansons), such as prose works or motets.
And the use of written sources certainly concords with what is known in general about the activity of professional scribes in medieval scriptoria. The extant melodies were produced less often as freely extemporized songs than as copied, manipulable texts. 48 The extant sources bear this out. Where more than one musical reading of a given poem survives, we generally find more similarities than differences. For instance, in the case of Gaucelm Faidit’s lament for Richard I the Lionhearted, ‘Fort chausa oiaz’ (PC 167, 22), troubadour chansonniers G, W, η and X’s readings open with quite similar melodies.
10 Easy Lessons - Blues Harmonica (10 Easy Lessons Learn to Play) by Peter Gelling